
They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA range. The mic pres can be controlled digitally, for adjusting/recalling settings and stereo linking via Focusrite Control software. The Red Evolution mic pres in the Red 4Pre deliver a clear and honest audio performance with –129 dB EIN and 63dB of gain that allows plenty of room to bring your own sound to life with your choice of external processing. Red Evolution Air-enabled Microphone Preamplifiers Additional Red or other Dante-compatible components can be connected to the Ethernet ports of the Red 4Pre to provide additional channels irrespective of the interface used to drive the Red 4Pre.
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Plus the Red 4Pre is network audio enabled right out of the box, with dual Ethernet ports for Dante audio-over-IP networking, letting you expand your recording capability over Ethernet for up to 64 additional channels anywhere on your network, with low latency – and lower cost. Dual Thunderbolt 2 ports allow daisy-chaining of additional components such as hard drives and displays.
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Drop the Red 4Pre immediately, directly and seamlessly into any Pro Tools | HD system, or use it with existing Avid® interfaces, thanks to its twin DigiLink™ connectors. Versatile connectivityįocusrite's 58-in/64-out Red 4Pre includes Thunderbolt 2 connectivity for our lowest round-trip latency, in whatever DAW you use, enabling you to track and overdub with your preferred plug-ins and effects in real time, simplifying your workflow. Featuring 'parallel path summing' conversion and beautiful yet robust design, the Red 4Pre interface is the perfect balance of form and function, delivering the sound quality and versatility engineers and producers expect from Focusrite. Red 4Pre combines four of Focusrite’s digitally-controlled, 'Air' enabled, Red Evolution mic preamps with dual Thunderbolt 2, Pro Tools | HD and Dante network audio connectivity. Red represents the pinnacle of Focusrite’s interface range. Watch and see how much James enjoys showing you round the Red 4 Pre. This unit is a serious set up for Focusrite. This is not only a stunning interface for Pro Tools HD and HDX but it could be the most versatile interface to date. In this, part 1 of 3, James tracks drums using the 4 on board Red mic pres that can employ Focusrite's Air technology along with 6 channels of mic pres via 1 of the ADAT optical inputs.

In his usual style James put this interface through it's paces. Simply change the host mode either on the device front panel or in the remote-control software.In this video for Pro Tools Expert James takes a look at the new Focusrite Red 4 Pre Thunderbolt, Digilink and Dante audio interface.

Both DigiLink connectors and Thunderbolt connections are provided by Focusrite Red 16 which is allowing easy switching from Pro Tools | HD to a second DAW with no need to reconfigure option cards in the interface. Red Evolution mic preamps, Low latency AD/DA conversion, up to 121 dB dynamic range, low round-trip latency, and expansion over Ethernet for networked audio is featured in the Focusrite Red sixteen-Line 64 x 64 Thunderbolt three Audio Interface for Pro Tools | HD. Focusrite Red 16Line 64 In/64 Out Thunderbolt 3 and Pro Tools|HD Interface with Dante
